While he has continued to guest star in many television series and appearing in
several feature-length films, McEachin landed his most memorable role, that of
police lieutenant Brock in the 1986 television movie Perry Mason:
The Case of the
Notorious Nun
. He would reprise this role in more than a dozen Perry Mason
telemovies, appearing opposite the late Raymond Burr. He also played a recurring
role in
Matlock.

In the 1990s, McEachin semi-retired from acting to pursue a writing career. His
first work was a military history of the court-martial of 63 black American soldiers
during the First World War, titled
Farewell to the Mockingbirds (1995), which won
the 1998 Benjamin Franklin Award.

His next works, mainly fiction novels, included
The Heroin Factor (1999), Say
Goodnight to the
Boys in Blue (2000), The Great Canis Lupus (2001), and Tell me a
Tale: A Novel of the Old South
(2003). McEachin also published Pebbles in the
Roadway
in 2003, a collection of short stories and essays which the author
describes as "a philosophical view of America and Americans."

MyBestYears.com caught up with James McEachin to talk about his projects, both
old and new. What he shared during that interview was filled with poignant
moments and many surprises.

MBY—After all you have done in your career, how did such wonderful, powerful stories as
Reveille and Old Glory come about?

JM—I don’t want to take credit for something I don’t deserve. I wasn’t involved with the
creation of
Reveille. Long story short—I had written a book called Farewell to Mockingbirds,
and someone related to that project told me about his idea for a film short. I read the script
and liked it. David Huddleston’s name came up for the soldier who would play opposite me.
David was my lieutenant on the
Tenafly series. As it all came together, we set a shooting
date. I stopped by on my way to Washington, DC, to give a speech. We shot the film, and I
forgot about it. I was more into doing books, so I really didn’t worry too much about any
films I was involved with. A year went by, and I got an email from one of our troops in Iraq.
He wrote about this great film he had seen
,
Reveille, and how much it meant to him and all his buddies.

MBY—How did the soldier find
you?

JM—I’m not really sure. I don’t
know why the email would
have come to me, rather than
the film people. Anyway the
soldier asked if I could send
an autographed copy of the
film. I got a couple of copies
and send them to Iraq. That led to more and more
requests, so I called a friend who suggested that
we put it online so the soldiers could simply
download it from wherever they were. This was
May 28, 2006. The rest, as they say, is history.

MBY—Did you have any idea the film would have
the kind of impact it has?

JM—No way. I thought it was a nice little film, but I
never thought it would stop traffic.

MBY—What kind of numbers are we talking
about?

JM—It started out, just with word of mouth, getting
fifty hits a day, then a couple of hundred, then a
few thousand, then it just exploded. You should
read some of the letters I’ve received. It is
incredible the response from the wonderful people
out there. It has literally changed my life!

MBY—What kind of letters?

JM—Some of the most heart-felt letters you will ever read. They made the assumption that I
was part of the creation of the film, so I got a lot of credit for something I didn’t do.

MBY—Why do you think people responded so positively to you?

JM—I supposed it was the character I played. I’m sure David Huddleston has received a
deluge of mail, too. There was just something special about the story that played out, even
though there were no words spoken.

MBY—Without giving all the story away, do you remember any special things that you
brought to the filming that helped make the part so memorable to people?

JM—It’s always a creative process when you are shooting. I mainly remember saying that
the guy needs to stand here, and that he needs to have a limp, and that he needs to have
a certain attitude. Like I said, the script was already done. Hopefully I brought something
special to the project.

MBY—People obviously think so. The response has
continued to grow. Is that what led to
Old Glory?

JM—When it got to about a half-million hits, I realized that
there had to be a sequel to
Reveille. I began writing it. I
knew how I wanted the guy to be. So I put together my
own money to do the film.

MBY—Had you ever directed before?

JM—Never. I had written and acted, but never directing.
Thankfully I had worked with a lot of great directors. The
directing for
Old Glory came because I really wanted to
make something special and unique, something that really
touches the core.

MBY—Making the decision was one thing. Making the film was obviously another. Were
there a lot of challenges?

JM—There were a lot of things that come along when you are planning and filming. It got a
lot more expensive than I thought it would be. When you are filming, there’s an old saying:
“Whatever can go wrong will go wrong.” It did. But God really was looking out for me, and it
was amazing to see what happened. If I had been an atheist, I would have changed during
this filming.

MBY—For example?

JM—So many things. One really simple one was the day we were shooting and had to have
the flag waving. Well, there was absolutely no wind. But the moment we had to start
shooting, it started gusting all of a sudden. Another time we were shooting in the cemetery
and had to get a matching shot to the footage we already had, and the fog machine broke
down. Then when we were ready to shoot, this magnificent layer of fog appeared all of a
sudden. Everybody was amazed.

MBY—Did the people working on it understand how special
Old Glory was?

JM—I don’t think people did. It’s awfully hard when you are crewing or acting on a shoot like
this to focus on the end product. I think some realized how special it was, but most were
focused on doing a good job and getting it done professionally.

MBY—When did you realize how special it was?

JM—I felt all along that it would be. As we went along, more and more people began seeing
it. I really saw it when we were editing it.

MBY—How has the response to
Old Glory been different from Reveille?

JM—Well,
Reveille now has been played well over a 1.5 million times on the Internet.

MBY—That’s incredible.

JM—I’m still flabbergasted over it. On the other hand,
Old Glory has only been available on
DVD for a short while, but even in the earliest showing, people seem to be much more
reverential. At screenings of it, I saw lots of tears. People talk about the film having so many
levels to it. There’s the isolation of the old solider. Yet he is determined to get the flag.
People have responded well on each of the levels.

MBY—Have there been surprises in the way people have responded to
Old Glory?

JM—I wasn’t sure if people would accept the credulity of the old soldier appearing as he
does to serve his country one more time in the way he does. Without giving the storyline
away, it has seemed to be very believable with the audiences. That has been a pleasant
surprise.

MBY—Other surprises?

JM—One was really shocking to me. I got a negative reaction by someone in the military
about showing gravestones. Again, without giving the storyline away, it was critical to show
these gravestones. We filmed it in a cemetery that has soldiers from battles dating back to
the 1800s. It hit me like a ton of bricks that someone would have reservations about
showing the gravestones of soldiers, for fear of any negative connotation. I thought, “If we
have a fear of showing and honoring these brave warriors, and if the nation really feels that
way, we might as well do away with Memorial Day!”

MBY—Obviously you didn’t agree, because the scenes are still there.

JM—Definitely. Thankfully that was the only criticism of that kind. Nearly everyone who has
seen it has responded so well. It has actually been pretty amazing.

MBY—You mentioned that you witness a sense of reverence for
Old Glory that was
different and deeper than with Reveille. What do you mean?

JM—A good example was recent screening in a church in the Midwest. It was very, very
touching. It was quite emotional for the people in the audience. I could understand being
reverential about God, but it has been quite special to see this kind of feeling about a film.

MBY—Let’s rewind and talk about why you wanted to honor fellow soldiers through these
two films. How did the military change you?

JM—Had it not been for the military, I would have probably ended up in San Quentin or
something close to it. I went into the military when I was seventeen, and I knew absolutely
nothing about life. I was a dreadful student in school, but the military helped me grow up
and develop the character I would need for the rest of my life.

MBY—You served during the time leading
up to the Korean Conflict, right?

JM—Right. I joined the Army and stayed in
it for three years, mostly in Japan with the
24th Infantry. I came back to America after
I served my time. I was discharged on July
5, 1950, and wouldn’t you know it, the day
after I was discharged, the Army froze all
discharges because of what was starting to
happen in Korea. I was pretty upset. I was
20. I had been trained for war. I had learned discipline and regimentation. I had learned to
shoot machine guns and lob grenades. And now I was missing it.

MBY—So you re-enlisted?

JM—Absolutely. I got to go to Korea and see some action. I really wanted to be on the front
lines. They assigned me to an engineering company, which was the wrong place to put me.
I didn’t want to be an engineer. I wanted to be in an infantry unit. Finally I got my wish and
ended up with the Second Division.

MBY—A tough group!

JM—You see the arrowhead patch even today among
soldiers who serve in that division in the Middle East.
That was our division.

MBY—You saw a lot of action?

JM—It was fierce. I was finally wounded very severely on
a patrol one night and sustained multiple wounds.

MBY—Obviously it was quite a fight. You not only got a Purple Heart, but you also were
awarded a Silver Star. What is the story about it taking 50 years to get that recognition.

JM—The records got transferred all over and eventually burnt up. Truthfully, I didn’t make a
big deal about it because I don’t feel like I deserved the Silver Star. I was damned good at
what I did, but who should have got the Silver Star was a lieutenant who was killed that
night. His bravery still inspires me.

MBY—Still, you obviously showed great heroism and your life nearly ended that night.

JM—It was pretty serious. I got hit badly in the liver, spleen, and both legs.

MBY—The thing that seems so remarkable is that you were sent to Japan, and as soon as
you could walk, you headed back for the front lines. How did you pull that off? And why?

JM—A blond-haired young man saved me. I never saw him before and never saw him
again. He pulled me to safety. I was bleeding from different places. I had been hit with a
grenade and Chinese machine gun fire. One of the reasons I went back to Korea after I got
operated on in Japan was to try and find the blond guy that saved me. I wasn’t there long
the second time, and I never did find him.

MBY—Is what you are doing now with
Reveille and Old Glory largely motivated by what you
experienced in Korea?

JM—Sure. I look back and during the times when I was doing a lot of films and television, I
don’t feel like I did enough. I should have done much more of a tribute then to the brave
men and women who have served our country in the military. I had a bigger platform then,
but I was just so busy with my career and all. I have a great regret about that now.

MBY—Well, you are sure showing them great honor now. It’s obvious that you love
Old
Glory
. It’s more than just another project.

JM—I love
Old Glory. It’s the best thing I’ve ever done.

MBY—The best of everything over your career?

JM—It’s the most rewarding and meaningful.

MBY—MyBestYears.com was created to celebrate and honor people over fifty who are
more excited than ever about life. When you say that about
Old Glory, the last thing you’ve
done, it should give everyone hope that there are a lot more wonderful things ahead for
James McEachin.

JM—Oh, my goodness. I feel like I’ve just put gas in the tank! All the earlier years, I was just
speeding up to get on the on ramp.

MBY—What excites you today?

JM—I love talking to people about America and how wonderful this country is. I’m excited
about the next email of people who have been moved by
Reveille or Old Glory.

MBY—Will there be a sequel to
Old Glory?

JM—A lot of people have asked whether there should be a trilogy.

MBY—We vote for the trilogy!

JM—We’ll see what happens.

MBY—We’ve already read some of the comments people have written about both films. It’s
amazing!

JM—I never cease to be in awe of the great people who write these things.

MBY—Of all the people in our country, you might have a right to be bitter. You almost gave
your life in Korea, which was the first armed conflict for our country that didn’t produce a
clear victory. You served as a minority in the Army. You still carry shrapnel in your leg and
the head of a bullet in your chest. Much of what you did was thankless to society. You could
easily be filled with rage and hate, yet you seem to have gone about as far as you can the
other direction, in terms of patriotism, enthusiasm about our country and a desire to honor
those who have served in the military. What made such a difference in the way you have
reacted to what has happened to you?

JM—One thing I learned in the Army, early on, was integrity. The military of our country
through the years has been built on a sense of integrity. Even though you may or may not
like the person standing beside you in a uniform, you were trained to serve together with a
sense of pride and integrity. You knew that teamwork and working together could mean life
and death. It’s more than discipline. It’s something almost indefinable. Even at seventeen
years of age, I learned that nothing was impossible, that it could be done. I learned that
truth and dignity were important. And I learned to love my country, because it represented
the best and finest. There was something in all that I learned that tied me to the soldiers
who fought in the Revolutionary War and every battle since then. It even made such an
impression on me that the first President of our country was also a military man. When the
country called him to lead our new nation, he wanted to do other things, but duty called him
and he was there!

MBY—We're reminded of the line in your film,
Old Glory, where the question is asked, “Old
Glory, how can I serve you next?”

JM—Right. These guys had already given their lives for our country, yet they are wanting to
know what else they can do. America is founded on that kind of integrity and selfless
service. The core of our country is built on truth and honor. How can we do anything less?

MBY—What a price some have paid for all.

JM—And the people in our military today are such brave warriors. They should make us so
proud.

MBY—So many continue to pay the ultimate price. That’s the point of WE WILL
REMEMBER—to honor those who have served courageously, past and present. We think it
is good to remember the price that has been paid. On a personal note, well over a half-
century after you were cut down on the battlefield in Korea, do you still have nightmares?

JM—Every night.

MBY—Looking back over your career, what is the one highlight when you said to yourself,
“This is what I was born to do.”

JM—I don’t know an answer to that. I’ve never been asked that. I guess people would think
that I would talk about when I did this movie or that television show, or when I was the first
Black to have my own dramatic television series on NBC. Maybe that should have been the
high point or crowning moment. But it wasn’t. Frankly, as much as I enjoyed my acting
career, I don’t want “Actor” on my tombstone. I want “Soldier!” As crazy as it may seem to
some people, I consider what I did in the military and for the cause of freedom infinitely
more important than anything I did as an actor.

In 2001, McEachin received the Distinguished Achievement Award from Morgan
State University. In 2005, he became an Army Reserve Ambassador, giving
speeches on behalf of the military and various veteran's group. This distinction
carries the protocol of a two-star general.

Watch for the upcoming special tribute to James McEachin and the Second
Infantry Division, at MyBestYears.com’s
WE WILL REMEMBER .
JAMES McEACHIN
    …Nothing More Important
    Than Being a Soldier

Everyone, it seems, is talking about the
online video,
Reveille, which tells the
wordless, unforgettable tale of two older
soldiers and a morning flagpole ritual. Try to
go through that one with dry eyes!

Then came the sequel,
Old Glory (now
available on DVD), which packs an even
heftier punch.
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Click here to watch the
much-talked-about
REVEILLE (11 minutes
and 30 seconds),
winner of “Best Short
Drama” in the 2004
Family International Film
Festival, “Copper Wing
Award for Best Arizona
Short Film” at the 2004
Phoenix Film Festival,
“Audience Choice
Award for Best Short
Film” at the 2004
Sedona International
Film Festival, “People’s
Choice for Best Film” at
the 2004 Lake Havasu
Film Festival. Reveille
has also been featured
at such prestigious film
festivals as Brooklyn,
Century City, DaVinci
Days, Durango, Kansas
City, Tiburon and
Newport Beach.
Title Role in Tenafly,
the NBC Detective
Series
James McEachin, featured in both videos (and
producer of
Old Glory), is hardly a stranger to showbiz.
He worked during the Sixties in the music business.
He was under contract to Universal during the
Seventies.

James is perhaps best known for portraying police
lieutenant Brock in the Perry Mason television movie
series and Harry Tenafly, the title character in his own
NBC detective series.

He considers what he did before acting much more
important, however. As a North Carolina native who
spent his formative years in New Jersey, he served in
the U.S. Army before and during the Korean War. He
was wounded (nearly fatally), requiring battlefield
surgery (and additional surgeries afterward in Japan)
to save his life. He was eventually awarded both the
Purple Heart and Silver Star.

After returning home, he began his acting career on
stage, and was soon signed by Universal as a contract
actor in the 1960s. He was regularly cast in
professional, "solid citizen" occupational roles, such
as a lawyer or a police commander, on numerous
series such as
Hawaii Five-O, Mannix, and Dragnet. He
appeared in
Play Misty for Me (1971) with Clint
Eastwood. In 1973, he starred in
Tenafly, the detective
series about a police officer turned private detective
who relied on his wits and hard work, rather than
guns and fistfights. During his career, he has worked
with such greates as John Wayne, Sidney Poitier,
Bette Davis, Clint Eastwood, Henry Fonda and Steven
Spielberg.
David Huddleston and
James McEachin filming
Reveille
Powerful scene
from
Old Glory
An exclusive
interview for
MyBestYears.com
by bestselling author
Darryl Hicks